Time once again for another playlist of songs that slid onto my desk over the last week that didn’t slide back off again into the circular file. A good number of these feel a bit retro. Maybe that’s why I like them.
There’s some hootin’ and hollerin’ going on in Jake Bugg’s latest track “Kiss Like the Sun”, an upbeat country blues rocker that is bound to raise the barn roof. This actually came out in November, but this week’s music feeds gave me a newly released acoustic version, which is also fine, but I opted for the original. It’s from his upcoming fifth album
Now for some local lads. “We Have to move on”, which is Dublin band Inhaler’s new track, rocks with energy, hit’s the ear well, and sounds commercial and polished, but not too much so. FYI, singer Eli Hewson’s dad Paul is better known as Bono, but his dad’s shadow isn’t lingering over the band—they are capable of making their own stand, although it’s not a million miles away from the sound the old man’s band made in the early days when we thought they were an indie band, long ago in an era far, far way. They’ve been getting out and about internationally too, and I imagine this track will keep them moving forward.
And now to Scotland for rock band Twin Atlantic. Although “Novocaine” is apparently the single, my feed pushed the opening track, “Oh! Euphoria!” from their fifth album “Power”, which is said to be inspired by colours, moods and memories. Power is as good a word as any to describe this sound, with maybe a soupcon of Depeche a la mode. They go for a big 80’s synth sound here with an insistently heavy mid-tempo beat.
Kelsea Ballerini gives us a pretty, acoustic country pop song about her love and hate relationship with “la” (as in Los Angeles—she’s got a thing for using all lowercase), from her third album due out in March.
Poppy Ajudha and Mahalia team up for the sultry, seductive groove of “Low Ride” I love their harmonies on this, and the rhythmic feel is just enough off kilter to almost be approaching jazz while still being an R&B song. More of this please.
The David Bowie EP “Is It Any Wonder” continues to be released one one-track-per-week basis. And even though I had “The Man Who Sold the World on this list a couple of weeks ago, I couldn’t pass up the opportunity to play one of my all-time favourite album tracks “Stay”, originally from the “Station to Station” album. He might not be able to hit those falsetto notes here, but the vocal arrangement more than makes up for it. It’s loose and jazzy on the chorus and driven by that Iconic, over-driven grunge-funk guitar riff everywhere else. Best track so far.
The Pet Shop Boys just keep working that 80’s beat hit factory they’ve built. “I don’t Wanna” is a song you can dance to about being too introverted to go out dancing, but he gets there in the end. Reliable as ever.
Eliza Shaddad’s airy vocals along with an arpeggiated electric guitar riff drive the indie rock ballad “Same as You”, taken from her three track “single” Sept ~ Dec.
Badly Drawn Boy is back again too, but not from the dead, although it may seem that way. The singe “Is this a Dream?” is the first release of new material in seven years. It’s an upbeat, bouncing pop track about the chaos of modern life. There will be a tour, but will there be an album? I guess we’ll have to wait and see.
I never equated Tom Grennan with The Police before, but there’s a certain inflection on some of the notes he hits at the end of the chorus in “This is the Place” that is reminiscent of Sting. The drumming and the occasional staccato guitar chords only add to the effect. Couldn’t point to a specific song, but you’ll hear what I mean.
On this next Island flavoured pop track, I want you to forget about trying to hear Sheneseea’s lyrics on “Potential Man” and just feel the words go by. Maybe it’s me, but it’s pretty cool the way the rhythmic vocal melody goes by like some form of pop scat singing. I’ve got no idea what it has to do with X-Men though. What? Oh, ex man. It was an honest mistake.
I wouldn’t want to be Mae Muller’s ex (I presume). This guy will spend the next few months, at least, hearing repeatedly that he doesn’t need a girlfriend, he needs a “Therapist”. Ouch. This bit of pop crooning is bound to get into regular rotation on the radio, so I reckon there are going to be a few people thinking it could be about them, or more likely more than a few people thinking, “been there”.
Paramore’s Hayley Williams track “Simmer” is simply hypnotic, and the feel belies that this is a song about abuse, rage, and control. It could work as a dance track if the rhythm was slightly dumbed down. Don’t worry, someone will probably remix it that way.
The youngest person on the list this week has to be 17 year old ren, who, in “New Way” gives us a bluesy pop ballad about a relationship that’s so good she can’t stand it, really. She needs a new way to hate him because she misses the drama. There’s no pleasing some people.
I’m not sure “Fatboy Slim” is anything like in the style of something Fatboy Slim would do, but there’s a great high-energy feel good factor to this track by the Snuts. This is more indie rock than rave, despite the title. The Snuts is a great name by the way—I love a band name that sounds cool and has an is obscure enough to be meaningless to most people. I’ll give you a hint, it’s got nothing to do with the Urban Dictionary.
Pearl Jam return with a song that might be half trying to approximate techno, or at least there’s a smattering of rhythmic synth. It’s still Pearl Jam, but you might be able to dance to it. “Stand back when the spirit comes” Eddie Vedder “Dance of the Clairvoyants”, a song that seems to be encouraging us to live in the present and not get too caught up in a better, brighter future. “Expecting perfection leaves a lot to ignore.”
Scottish rockers VUKOVI mesh melodic ideas with hard driving guitars on “Aura”
Reportedly, North London’s Sorry are a chameleon-like band. “More” is an indie grunge track with a pop foundation supporting an appealing rough structure. There will be an alum in March, where we can find out more about how varied they really are I imagine.
Mama always said Todd Rundgren is like a box of chocolates—you never know what you’re gonna get. It could be one of his perfect pop masterpieces like “Hello It’s Me” or Real Man. It could be some quasi-political diatribe. It could be a prog rock song about chakras. It could even be his hits reinterpreted in Bossa Nova style (“With a Twist”, 1997). His new single “Bang Bang” is neither the best nor worst of Todd, remarkable considering it was written by Glenn Tilbrook and Chris Difford of Squeeze fame, who allegedly all but disowned the song long before Todd took it up. You’d never guess it was theirs from the techno treatment it gets here. It was released on vinyl for record store day last year, but it’s out for streaming now.
Ciaran Lavery wants a cigarette, would rather be in love, but needs to please himself. These seem to be the main thoughts rotating in his head in “Can I begin Again” his depressed and frustrated gritty-indie post self-therapy song. It was the sound of that slow, tragic guitar riff sucked me in. This is from the Northern Ireland native’s impending fourth album.
“Finish Line” is a fairly straight forward big pop song in the direction of Lewis Capaldi by a band called Rowan, There doesn’t seem to be a lot about them on the net, but they seem to be a decent trio of young lads. This might get them noticed.